Robert Liberace: The “Living Master”

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The Studio of Robert Liberace

As an artist, Robert Liberace expresses the human body in way that would make the Old Masters proud. His interest in art history, anatomy, and technique are so obviously presented in his work. However, his artistic talent isn’t the only skill that has encouraged the title “living master.” Liberace is also a fantastic and world renowned art instructor. He captivates his students with his insightful lessons and valuable pieces of advice. He refers to individual muscles by name as he captures them on the canvas. He is absolutely adored by art students and art lovers from around the world.

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Robert Liberace’s Live Painting Demo, August 2017

We were able to witness, first hand, the immense following Liberace has established for himself when he presented a Live Painting Demonstration, last Friday in the gallery. We welcomed a young woman named Shelly, who had never modeled before, to be the artists subject. Liberace set up his easel, prepared his paints, then began his creative process. He had Shelly move into a few different poses until he found the perfect one. As the night progressed Shelly’s features became more and more prominent on the canvas.

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Start of Demo

 

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After the first fifteen minutes

 

 

 

 

 

Shelly’s defined jawline and beautiful hair became recognizable in less than fifteen minutes. Another noteworthy feature of Shelly was her well applied makeup. She wore a combination of shimmered eye shadows and completed her look with a dark purple lipstick. Such a look was definitely something new for the artist, but it was something he didn’t shy away from. Liberace grabbed a thinner brush to express her eye makeup and the deep purple color of her lipstick. He matched the color perfectly. DSC_0146

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The crowd watched as the artist developed a spectacular piece and led them through his process. Liberace engaged with his audience by describing the materials he used, how to create certain details, and how to paint the human body.

Meanwhile, other guests mingled, enjoyed the refreshments, and took in the incredible new exhibition featured in the front room of the gallery. Live painting demonstrations are such fun and exciting events, and we encourage anyone in the area to come and join us when we’re able to host them! Mark your calendars, because next month, after the opening of the two person exhibition for Valerio D’Ospina and Greg Gandy, Valerio will be treating us to a live painting demonstration on Saturday afternoon, September 23rd, from 1-4 PM!

To check out a time-lapse video of the Robert Liberace demonstration, check out our latest upload on YouTube here!

If you can, do stop by the gallery in the next couple of weeks to see the Robert Liberace exhibition– his works are just breathtaking in person! To make sure you’re up to date on all the latest news about exhibitions and events at the gallery, like live painting demonstrations, be sure to follow us on Facebook, Twitter, and Instagram, and subscribe to our newsletter by filling in the “contact” form on our website here!

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Technique Tuesday: Broken Color

TT Broken ColorWhat is it?

The technique we’ll be looking at today is a fun one: broken color. This term refers to a technique where an artist will apply colors to a painting in small strokes, but does not blend them, so that they blend optically rather than literally. The effect of this technique a life and vibrancy, and a strong sensation of the sparkle of natural light. The idea of blending colors optically is one you may remember from our post on pointillism, though broken color is not a technique limited to small dots of brushstrokes and can be done with a lot of types of mark making.

Examples from art history:

As you’ve probably noticed, a majority of these techniques we’ve been discussing became a big “thing” during one of two times: the Italian Renaissance, and the Impressionist movement of the 19th century. Broken color comes to us from the latter. The Impressionists, especially the French Impressionists, were primarily concerned with emphasizing the effects of light and color, and less about making their paintings appear very neat, tight, and realistic. A huge part of the way they acheived this loose, sparkling effect of light was the use of broken color. By allowing the viewer’s eye to blend colors together, these painters were able to capture the real sensation of light and imbue the painting with a lot of energy. Though it really began with the Impressionists, broken color is a technique that was used by many differet types of artists in many different movements that followed.

Broken Color Collage

(left to right) Claude Monet, “Haystacks”; Edgar Degas, “Woman In the Bath”; Vincent Van Gogh, “Still Life with Lemons”

Examples from Principle Gallery:

This week, the gallery is preparing for the opening on Friday of Colin Fraser’s solo exhibiton, “Inner Light.” Colin Fraser’s work is a remarkable example of the magical effects of broken color. As Colin’s preferred medium is egg tempera, he ends up doing a lot of thin, small brush strokes and careful layering. The way that he handles the blending of colors using this method is truly extraordinary, and the overall sparkle and life of the light in his work is just gorgeous, particularly in person. If you’re able to come to the gallery to view the exhibition, be sure to get up close to these paintings–it’s a whole adventure in color up close!

If you’re able, please do join us for the opening reception for the exhibition, Friday October 16th, from 6:30 to 9 PM. And DON’T FORGET! Saturday, the 17th, from 1-4 PM, Colin will be doing a live egg tempera painting at the gallery, which we’ll be broadcasting live on our YouTube channel!

Celestial Sun HR

Colin Fraser, “Celestial Sun”

Genuflection, HR

Colin Fraser, “Genuflection”

Pastoral Suite Viridian HR

Colin Fraser, “Pastoral Suite Virdian”